Archive
Displaying 3,149 digitized works or clusters of works
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1601
The miscellaneous works of John Dryden, Esqcontaining all his original poems, tales, and translations. ... With explanatory notes and observations. Also an account of his life and writings.
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1602
The miscellaneous works of John Dryden, Esqcontaining all his original poems, tales, and translations. ... With explanatory notes and observations. Also an account of his life and writings.
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1603
The miscellaneous worksof John Dryden, Esq; containing all his original poems, tales, and translations, in four volumes.
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1604
The miscellaneous worksof John Dryden, Esq; containing all his original poems, tales, and translations, in four volumes.
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1605
The miscellaneous worksof John Dryden, Esq; containing all his original poems, tales, and translations, in four volumes.
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1606
The miscellaneous works of Thomas Arnold.Collected and republished.
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1607
Miscellanies by Iames Harris ...
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1608
Miscellaniesby John Armstrong, M.D. In two volumes.
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1609
Miscellanies.
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1610
Miss Lowell's Discovery: Polyphonic ProsePoetry.
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1611
Mnemonics :or, The new science of artificial memory; explained in its application to the study of numbers, the sciences, and to useful occupations of life, whereby the natural memory is greatly assisted and strenghtened ...
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1612
Models of letters,for the use of schools and private students. Being an epitome of the large octavo volume, entitled, Elegant epistles: And Containing Select Letters From The Best English Authors, With Many Translated From The French, Which Have Never Appeared In Any Miscellaneous Collection.
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1613
Modern British poetry,
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1614
The modern course in English
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1615
Modern Developments in Ballad ArtThe Edinburgh review.
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1616
Modern English literature;its blemishes and defects.
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1617
The Modern Greek:its pronunciation and relations to ancient Greek, with an appendix on rules of accentuation, etc.
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1618
Modern Imitations of the Popular BalladThe Journal of English and Germanic philology.
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1619
Modern language notes.
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1620
Modern language notes.
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1621
Modern metrical technique as illustrated by ballad meter (1700-1920)
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1622
Modern Parnassus; or,The new art of poetry, a poem, designed to supersede the rules of Aristotle, Horace, Longinus, Vida, Boileau, and Pope ...
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1623
Moments of vision and miscellaneous verses,
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1624
Monosyllabic Lines and Words.A miscellany
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1625
Monsieur Bossu's treatise of the epick poemcontaining many curious reflexions, very useful and necessary for the right understanding and judging of the excellencies of Homer and Virgil
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1626
Monsieur Bossu's Treatise of the epick poem: :containing many curious reflexions, very useful and necessary for the right understanding and judging of the excellencies of Homer and Virgil.
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1627
Morals of the Rhyming DictionaryThe Yale review.
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1628
More literary recreations,
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1629
Le morte Arthur, a romance in stanzas of eight lines ;
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1630
Morte Arthure, or, the death of Arthur
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1631
The Most Fundamental Differentia of Poetry and ProsePublications of the Modern Language Association of America.
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1632
Mr. Alexander J. Ellis's Remarks on Mr. Mayor's Two Papers on RhythmTransactions of the Philological Society
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1633
Mr. Russell's ProsodyThe Freeman.
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1634
Mr. Swinburne as a Master of MetreThe spectator
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1635
The muses library; or, a series of English poetry,containing, the lives and characters of all the known writers; the Names of their Patrons; Complete Episodes, by way of Specimen of the larger Pieces, very near the intire Works of some, and large Quotations from others. Being a general collection of almost all the old valuable poetry extant, now so industriously enquir'd after, tho' rarely to be found, but in the Studies of the Curious, and affording Entertainment on all Subjects, Philosophical, Historical, Moral, Satyrical, Allegorical, Critical, Heroick, Pastoral, Gallant, Courtly, and Sublime, by Langland, Gower, Chaucer, Lidgate, Occleve, Harding, Barclay, Fabian, Skelton, Howard Earl of Surrey, Sir T. Wyat, Dr. Bourd, Sackville Earl of Dorset, Churchyard, Higgens, Warner, Gascoign, Turbeville, Nash, Sir Philip Sidney, Grevill L. Brook, Spencer, Sir John Harrington, Chalkhill, Fairfax, Sir John Davis, Sir W. Raleigh, Sir Edw. Dyer, Daniel, &c.
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1636
Music and Metrics: A ReconsiderationStudies in philology.
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1637
Music and poetry;essays upon some aspects and interrelations of the two arts,
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1638
The Music of Language, as Illustrated in Shakespeare's Venus and AdonisPoet lore.
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1639
The music of nature; or, An attempt to prove that what is passionate and pleasing in the art of singing, speaking, and performing upon musical instruments,is derived from the sounds of the animated world.
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1640
The music, or melody and rhythmus of the English language;in which are explained ... the five accidents of speech ... and a musical notation ...
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1641
Musical Accent and Double Alliteration in the EddaModern philology.
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1642
Musical and poetical relicks of the Welsh bardspreserved, by tradition and authentic manuscripts, from very remote antiquity; never before published. ... by Edward Jones, ...
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1643
The musical basis of verse,a scientific study of the principles of poetic composition,
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1644
The Musical Foundations of VerseThe Journal of English and Germanic philology.
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1645
A myrrovre for magistrates.Wherein may be seen by example of other, with howe greuous plages vices are punished: and howe frayle and unstable worldly prosperitie is founde ...
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1646
The mystery of rhetorick unveiled;wherein above 130 of the tropes and figures are severally derived from the Greek into English; together, with lively definitions, and variety of Latin, English, and scriptural examples ...
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1647
The mystical poets of the English church,
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1648
Mythology for versification :or, A brief sketch of the fables of the ancients, prepared to be rendered into Latin verse, and desgned for the use of classical schools
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1649
Mythomysteswherein a short suruay is taken of the nature and value of true poesy and depth of the ancients above our moderne poets. To which is annexed the tale of Narcissus briefly mythologized
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1650
Myths of the robin rebreast in early English poetry :A paper read before the Anthropological society of Washington, December 18, 1888