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        Displaying 4,923 digitized works or clusters of works
    
  1. 151

    Anglo-Saxon Alliterative Poetry: (A.D. 449 to A.D. 1150)Transactions of the Royal Society of Literature of the United Kingdom.

  2. 152

    Anglo-Saxon and Norman periods :f. his "Manual of English literature."

  3. 153

    An Anglo-Saxon reader in prose and verse :With grammatical introduction, notes, and glossary

  4. 154

    The Anglo-Saxon version of the book of Psalms commonly known as the Paris psalter,

  5. 155

    The Anglosaxon poets on the judgment day...

  6. 156

    Animadversions upon Elements of criticism; calculated equally for the benefit of that celebrated work, and the improvement of English stile: with an appendix on Scoticism. By James Elphinston

  7. 157

    Anniversary papers by colleagues and pupils of George Lyman Kittredge,presented on the completion of his twenty-fifth year of teaching in Harvard University, June, MCMXIII.

  8. 158

    Annotations on Milton's Paradise lostwherein the texts of sacred writ, relating to the poem, are quoted, the parallel places and imitations of the most excellent Homer and Virgil, cited and compared, all the obscure parts

  9. 159

    An answer to the question 'what is poetry?' including remarks on versification.

  10. 160

    An answer to the question 'What is poetry?':including remarks on versification

  11. 161

    Anti mias;an essay in isometry.

  12. 162

    Anti mias;an essay in isometry.

  13. 163

    Antiquitates curiosæ;the etymology of many remarkable old sayings, proverbs, and singular customs explained.

  14. 164

    Antonius Rhetor on versification

  15. 165

    Apologie for poetrie, 1595

  16. 166

    An apologie for poetrie. VVritten by the right noble, vertuous, and learned, Sir Phillip Sidney, Knight

  17. 167

    An Apology for Poetry, in an Essay dire∣cted to Walter Moil EsqMiscellaneous letters and essays on several subjects philosophical, moral, historical, critical, amorous, &c., in prose and verse

  18. 168

    An apology for the monostrophics which were published in 1782. With a second collection of monostrophics. By George Isaac Huntingford, A. M. Fellow of New College, Oxford

  19. 169

    An appeal from the absurdities and contradictions which prevade, and deform the old theory of English grammar, to the true constructive principles of the English language

  20. 170

    An appeal from the old theory of English grammar,to the true constructive genius of the English language, developed in three books, the whole entitled, An English syntithology.

  21. 171

    Appendix [to Mr. Ellis's Remarks on "English Metre"]Transactions of the Philological Society

  22. 172

    Appendix H: Metrical TablesWilliam Shakespeare : a study of facts and problems

  23. 173

    Appendix II: Anglo-Saxon VersificationAn Anglo-Saxon reader,

  24. 174

    Appendix; On English MetersA manual of English literature, historical and critical : with an appendix on English metres

  25. 175

    Appleton's standard speller

  26. 176

    The Appreciation of PoetryTertium quid chapters on various disputed questions

  27. 177

    Appreciations of poetry,

  28. 178

    An approach to poetry

  29. 179

    The Arcadian rhetorike: or The præcepts of rhetorike made plaine by examplesGreeke, Latin, English, Italian, French, Spanish, out of Homers Ilias, and Odissea, Virgils Aeglogs, [...] and Aeneis, Sir Philip Sydnieis Arcadia, songs and sonets [...] By A. Fraunce.

  30. 180

    Architecture among the poets

  31. 181

    Are the Spanish Romances Written in Quatrains?--And other QuestionsRomanic review.

  32. 182

    Are we to go on with Latin verses?

  33. 183

    Argumentation and debate,

  34. 184

    Argumentation and debate,

  35. 185

    Aristarchus,or the principles of composition. Containing a methodical arrangement of the grammatical improprieties of common discourse, with select rules for attaining to ease and elegance in conversation, &c. &c.

  36. 186

    Aristarchus: or a compendious and rational institution of the Latin tongue; with a critical dissertation on the Roman classics, in a chronological order. Now revised a second time, and much improv'd, by Thomas Bowles, D.D. Vicar of Brackley in Northamptonshire, and late Fellow of Magdalene-College, in Oxford

  37. 187

    Aristotle On the art of poetry

  38. 188

    Aristotle's art of poetry.Translated from the original Greek, according to Mr. Theodore Goulston's edition. Together, with Mr. D'acier's notes translated from the French.

  39. 189

    Aristotle's Rhetoric ;or, The true grounds and principles of oratory: shewing, the right art of pleading and speaking in full assemblies and courts of judicature. Made English by the translators of the art of thinking ...

  40. 190

    Aristotle's Rhetoric, or, The true grounds and principles of oratoryshewing the right art of pleading and speaking in full assemblies and courts of judicature

  41. 191

    Aristotle's theory of poetry and fine art,

  42. 192

    Aristotle's treatise on poetry, translatedwith notes on the translation, and on the original; and two dissertations, on poetical, and musical, imitation. By Thomas Twining, M.A.

  43. 193

    Aristotle's treatise on rhetoric

  44. 194

    The Aristoxenian theory of musical rhythm,

  45. 195

    Arnold on Translating HomerFraser's magazine.

  46. 196

    The Art and Accomplishment of VerseLondon society.

  47. 197

    The art of breathing as the basis of tone-production("the old Italian school of singing") indisensable to singers, elocutionists, educators ... and to all others desirous of having a pleasant voice and good health,

  48. 198

    The art of criticismAs exemplified in Dr. Johnson's lives of the most eminent English poets.

  49. 199

    The art of delivering written language.

  50. 200

    The art of discourse:a system of rhetoric,

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